If there was a formula to my artistic practice and method what would it look like and how could I use it?
dc.contributor.author | Benedikte, Esperi | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.date.accessioned | 2016-06-16T11:26:20Z | |
dc.date.available | 2016-06-16T11:26:20Z | |
dc.date.issued | 2016-06-16 | |
dc.description.abstract | Within the field of an ephemeral art genre, performance and improvisation, there is often a question about how one can grasp the knowledge of the now, the instant moment. By using a fictive formula, a principle, applied on an artistic practice in search of an aXiom, revealing the WHAT? HOW? and WHY? a temporary method to communicate content, keywords and standpoints occurred. Visuals, words and fiction became tools to transform an embodied knowledge into an essay. | sv |
dc.identifier.uri | http://hdl.handle.net/2077/44580 | |
dc.language.iso | eng | sv |
dc.setspec.uppsok | FineArt | |
dc.subject | performance | sv |
dc.subject | public space | sv |
dc.subject | site-specific | sv |
dc.subject | choreography | sv |
dc.subject | contemporary | sv |
dc.subject | instant composition | sv |
dc.subject | improvisation | sv |
dc.subject | immersive theatre | sv |
dc.subject | multidisciplinary | sv |
dc.subject | aXiom | sv |
dc.subject | moving images | sv |
dc.subject | art-activism | sv |
dc.subject | oxymoron | sv |
dc.title | If there was a formula to my artistic practice and method what would it look like and how could I use it? | sv |
dc.title.alternative | Searching for the aXiom in my artistic practice and method | sv |
dc.type | Text | |
dc.type.degree | Student essay | |
dc.type.uppsok | H2 |
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