Att imitera sig till musikaliska uttrycksmedel

dc.contributor.author	Johansson, Anton
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.date.accessioned	2020-09-22T09:18:04Z
dc.date.available	2020-09-22T09:18:04Z
dc.date.issued	2020-09-22
dc.description.abstract	This essay explores imitation as a method for developing means of interpretative expression. The experiments made are based around the 1952 recording of Reinhold Gliéres Horn Concerto in B-flat Op.91 by Valeriy Polekh. By imitating chosen parts of Polekh´s playing valuable insights about interpretation were gained and new techniques were learned. Imitating a recording as a self-teaching method proved to be a very useful and efficient way to find new means of expression and hence develop musicality. This because of the small investment of time needed, and because of the resulting big gain of practical knowledge.	sv
dc.identifier.uri	http://hdl.handle.net/2077/66561
dc.language.iso	swe	sv
dc.setspec.uppsok	FineArt
dc.subject	valthorn	sv
dc.subject	Glière	sv
dc.subject	imitation	sv
dc.subject	interpretation	sv
dc.title	Att imitera sig till musikaliska uttrycksmedel	sv
dc.title.alternative	Developing musical expression through imitation	sv
dc.type	Text
dc.type.degree	Student essay
dc.type.uppsok	H2