A CRITICAL WEDGE

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dc.contributor.authorWahlöö, Annikki
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.date.accessioned2016-06-27T11:27:28Z
dc.date.available2016-06-27T11:27:28Z
dc.date.issued2016-06-27
dc.description.abstractA critical wedge – is an exploration of the in-betweens within performing arts and how they can become gaps for questioning, a place for exploring alternatives. How juxtaposition can be a political tool when composing a performance. It all started with the interspace between reality and fiction, the authentic and fictional self. The aesthetic field cannot present any given answers but rather a liminal space for reflection and thoughts. An in-between where multiplicity can grow and flourish. This is an exploration of both practice and theories in relation to gaps, cracks and in- betweens where art can flourish. This has also led to an exploration of the relation between spectators and performers and on if one can create a common and equal meeting ground within the boundaries of a performance.sv
dc.identifier.urihttp://hdl.handle.net/2077/44654
dc.language.isoengsv
dc.setspec.uppsokFineArt
dc.subjectliminalitysv
dc.subjectparticipatory theatresv
dc.subjectcritical wedgesv
dc.subjectperformance artsv
dc.subjecthuman specific theatresv
dc.subjectimmersivc theatree theatresv
dc.subjectsensuous theatresv
dc.subjectpolitical theatresv
dc.subjectperformance artsv
dc.subjectperformativitysv
dc.subjectmultidisciplinary theatresv
dc.subjectsoundscapesv
dc.subjectspectatorsv
dc.subjectsite-specific theatresv
dc.subjectperforming artsv
dc.subjecttext immersionsv
dc.subjectviewpoint trainingsv
dc.subjectsocial theatresv
dc.subjectperformative artsv
dc.titleA CRITICAL WEDGEsv
dc.typeText
dc.type.degreeStudent essay
dc.type.uppsokH2

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Examensarbeten master, Högskolan för scen och musik