Verdin, JorisLocke, Ralph P.Norrback, JohanSpeerstra, Joel2023-11-062023-11-062023https://hdl.handle.net/2077/79089Joris Verdin asks us to re-evaluate what we think we know about the dialog between metronome markings and subjective performance instructions in 19th-century French organ music, and invites us to renew our approach to its performance.engNew Light on the Use of the Metronome in Organ Music by Lefébure-Wely, Lemmens, and FranckText