van Kan, Mischa2016-12-092016-12-092016-12-09978-91-85974-21-4http://hdl.handle.net/2077/49442engjazzSwedenSwedish jazzmusic historyrecord industrycriticstransnationalismcultural insiderismrecord coversliner notesborealismracial imaginationhipnessnationalityethnicityracegenderSwingin’ Swedes: The Transnational Exchange of Swedish Jazz in the US.Text