Audio files / Ljudfiler / Högsk. för scen och musik

Permanent URI for this collectionhttps://gupea-staging.ub.gu.se/handle/2077/20270

Browse

Now showing 1 - 8 of 8

Free Ensemble Improvisation : CD 1
(2009) Stenström, Harald
Free Ensemble Improvisation : CD 2
(2009) Stenström, Harald
"Sweetenings” and “Babylonish Gabble”
(Göteborgs universitet/University of Gothenburg, 2008) Bania, Maria; School of Music and Drama/Högskolan för scen och musik
Three recording projects - CD 1: Historically inspired organ improvisations in Haga Church, Gothenburg - A 19th Century Christmas Service [Imagination, Form, Movement and Sound : Studies in Musical Improvisation, 978-91-975-911-8-8]
(2009) Tandberg, Svein Erik
Three recording projects - CD 2: Improvisations at the organs in Slagen and Eik churches, Tønsberg - Contrasts on an historic ground [Imagination, Form, Movement and Sound : Studies in Musical Improvisation, 978-91-975-911-8-8]
(2009) Tandberg, Svein Erik
Three recording projects - CD 3:1: Ensemble-improvisation in Vasa Church, Gothenburg - A Concert Mass – Missa sacra et profana [Imagination, Form, Movement and Sound : Studies in Musical Improvisation, 978-91-975-911-8-8]
(2009) Tandberg, Svein Erik
Three recording projects - CD 3:2: Ensemble-improvisation in Vasa Church, Gothenburg - A Concert Mass – Missa sacra et profana [Imagination, Form, Movement and Sound : Studies in Musical Improvisation, 978-91-975-911-8-8]
(2009) Tandberg, Svein Erik
Traces of Oblivion Dialogue (audio paper)
(University of Gothenburg / Göteborgs universitet, 2020) Lützow-Holm, Ole; Östersjö, Stefan; Academy of Music and Drama / Högskolan för scen och musik
The audio paper features a spoken, edited version of a dialogue between composer Ole Lützow-Holm and guitarist Stefan Östersjö, additionally published as a written paper in the same anthology. The voiced material – contemplating a collaboration between the two that resulted in a musical composition for 11-stringed alto guitar named Traces of Oblivion – is partly embedded in, partly punctuated by fragments of the music.