Stylistic Functions of the Creative Collocations and Wordplay in Salman Rushdie´s Novel "The Moor's Last Sigh"

dc.contributor.author	Vasiljeva, Irina
dc.date.accessioned	2010-10-15T12:21:41Z
dc.date.available	2010-10-15T12:21:41Z
dc.date.issued	2010-10-15
dc.identifier.uri	http://hdl.handle.net/2077/23797
dc.description.abstract	Salman Rushdie’s prose is celebrated by many critics for its creativity on the whole, and linguistic creativity, in particular. In the essay, some examples of the unusual collocations and wordplay in the novel The Moor’s Last Sigh are examined from the point of view of their stylistic functions. It is demonstrated that the use of the above-mentioned creative features adds semantic density to the text and simultaneously creates an undeniable ‘Indian flavour’ that permeates the text.	sv
dc.language.iso	eng	sv
dc.relation.ispartofseries	SPL kandidatuppsats i engelska	sv
dc.relation.ispartofseries	SPL 2010-020	sv
dc.subject	creativity	sv
dc.subject	Indianness	sv
dc.subject	collocation	sv
dc.subject	priming	sv
dc.subject	density	sv
dc.subject	stylistic	sv
dc.title	Stylistic Functions of the Creative Collocations and Wordplay in Salman Rushdie´s Novel "The Moor's Last Sigh"	sv
dc.type	Text
dc.setspec.uppsok	HumanitiesTheology
dc.type.uppsok	M2
dc.contributor.department	University of Gothenburg/Department of Languages and Literatures	eng
dc.contributor.department	Göteborgs universitet/Institutionen för språk och litteraturer	swe
dc.type.degree	Student essay