Masteruppsatser/Högskolan för scen och musik: Recent submissions
Now showing items 41-60 of 165
-
Att spela mellan raderna - En studie i att gestalta en läst text med hjälp av orgeln.
(2019-10-02)Detta arbete undersöker hur orgeln kan användas till att ackompanjera en läst text. Jag har valt fyra texter – två bibeltexter och två egenskrivna barnsagor – som jag har spelat till samtidigt som de lästes. Ackompanjemangens ... -
Fokus på fokus - en instuderingsresa med Bach i centrum
(2019-10-02)I den här uppsatsen undersöks möjligheten att förbättra fokuseringen och genom detta bli en skickligare musiker på sitt instrument. Genom intervjuer med konsertmusiker och instrumentallärare undersöks hur de jobbar i ... -
The Haydn Project. A performance process of the second cello concerto with a tape accompaniment
(2019-06-14)To perform a solo concerto with an orchestra requires lots of knowledge not only about the solo voice but also about the accompaniment. Besides reading and listening we musicians learn by doing. Based on these thoughts I ... -
Scenisk vitalitet. En relationell ingång i skådespelarkonsten
(2019-06-07)I mitt masterprojekt har jag undersökt hur jag som skådespelare med olika strategier aktivt kan sträva efter en bärande livskraft i mitt sceniska arbete, en scenisk vitalitet. Med en stark betoning på det relationella i ... -
Pedere, ergo sum. Ett försök till analys av mitt sceniska arbete med det komiska
(2019-04-29)Det här handlar om mitt sceniska arbete med det komiska. Jag har samlat ihop mina praktiska erfarenheter. Det är ett försök till att praktisera teorier och analysera min praktik. Jag ser mitt praktiska arbete på scenen ... -
What is the key to success? Exploring various ways of preparation for orchestra projects
(2019-04-02)This thesis aims to analyse the preparation process before orchestra projects. This thesis begins with the description of ways of preparing for orchestra projects for the University of Gothenburg Symphony Orchestra. The ... -
Conceivable cadenza development in Haydn’s Trumpet Concerto, first movement
(2019-04-02)How do you write a first movement cadenza in the style of Joseph Haydn? Since this is the mandatory concerto for next to all trumpet auditions there are, I wanted to write my own cadenza rather than playing someone else's. ... -
Meeting the Audience and Myself. A singer’s search for reflection through music
(2018-12-17)As a classical singer, I have asked myself in what way I can meet my audience, and how to move into a new context. I have wondered how I can create and use immersive music experiences as a tool for reflection, and in what ... -
Odyssea – en reserapport från en konstnärlig odyssé
(2018-12-17)The purpose of this study is to analyze and describe various sources of artistic inspiration and, in addition, how other aspects have influenced a compositional process of which both the inclusion and exclusion of sound ... -
Interpretational solutions for harp in Debussy’s Dance Sacrée et Profane
(2018-10-10)In this thesis I investigate how to interpret the harp part of Danse Sacrée et Profane by Claude Debussy with special focus on the different technical solutions for bars 8-12 and bars 143-150. Danse Sacrée et Profane is ... -
Time as a Tool
(2018-09-17)This is an experiential story of how I came up with the idea of investigating the topic of time; how I met fifty-nine artists from all over the world in order to create a documentary collecting their answers to the following ... -
Seks trumpeter, seks stiler
(2018-08-08)Denne oppgaven går gjennom sentrale deler av trompetens historie og de instrumentutviklingen i den samme perioden. Musikken og instrumentene utforskes gjennom forsøk på variernde stiler som spilles på forskjellige ... -
Approaches to practising standard repertoire. In place of the main work, do piece specific exercises improve practice effectiveness and productivity, and prevent the piece from becoming overplayed and tired?
(2018-08-03)Musicians preparing for auditions have to practice a limited repertoire of standard pieces, and it is very easy for the pieces to become stale. This thesis examines practice methodologies and established study books in ... -
A Microhistory of Congregational Music-Making in Överselö, Stallarholmen 1754
(2018-08-02)In 1754 an organ was built in Överselö Church whose purpose was to accompany the congregational singing. My question in this project is to investigate how the accompaniment of the specific congregational singing in ... -
Innsæi. Developing inner musicality
(2018-07-31)In this thesis, the subject of inner musicality is explored, including what it is and how to develop it. My own experiences in music are reflected upon through a diary, a personal journey of sorts. Along with the diary, ... -
The Story of the Second Violin Principal in the Orchestra
(2018-07-31)This thesis investigates the role of the second violin principal in the orchestral environment. The intention is to create a useful tool for violinists who might be interested in a better understanding of this specific ... -
Improvisation and the Modern Orchestral Musician. A Critical Analysis of the Performer’s Agency in the Contemporary Concert Hall
(2018-07-31)Improvisation is a critical skill for musicians across nearly all genres and eras, however, to the modern orchestral musician, it is mainly a lost art. A study into the history, techniques, and traditions of improvisation ... -
A Journey in the Pathways of Maqam and arranging Muwashahat
(2018-07-31)In this project, I explore the Arabic scalar system “Maqam” through studying, analysing and arranging one of the most traditional Arabic song forms “Muwashah”. I explore the different possibilities of arranging this song ... -
Resonating Voice. From the Roots to the Sound
(2018-07-31)In my musical practice, education and music making, I have always reached a point of using existing elements of others and felt empty in terms of not expressing myself. The question that would always come up was whether ... -
My personal investigation into the Dutch oboe school
(2018-07-30)As a Dutch oboist, I investigated and explored the different aspects of the Dutch oboe school and related them to my own playing. I interviewed two senior Dutch oboists and read about the Dutch school in the literature. ...