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dc.contributor.authorAraújo Edlund, Margarida
dc.date.accessioned2011-12-20T15:06:53Z
dc.date.available2011-12-20T15:06:53Z
dc.date.issued2011-12-20
dc.identifier.urihttp://hdl.handle.net/2077/28237
dc.description.abstract“Dreams” because I had the dream of being able to play Bach’s Chaconne. “Dreams” because through my interpretational work with the Chaconne, I entered spaces that I only can relate with dreams. “Dreams” because I experienced the night- mare in Munch’s The Scream. This thesis is about my interpretation of J. S. Bach’s Chaconne from Partita II in D minor (BWV 1004), and I use Edvard Munch’s painting The Scream as a source of inspiration. My question is: What happens when I use a work of art as a source of inspiration for the interpretation of a piece of music? The experiments, which I made, helped me to find a context and a content for the piece of music, and proved that by using images, when interpreting and playing music, I became more free in my playing, and I could play better. The aim of my work is to find ways of coming closer to the music I play, of investigating my artistic potential, and of managing the ghosts, which live inside me and tend to block my capabilities.sv
dc.language.isoengsv
dc.subjectJ. S. Bachsv
dc.subjectChaconnesv
dc.subjectEdvard Munchsv
dc.subjectThe Screamsv
dc.subjectspacesv
dc.subjectroomsv
dc.subjectinter- pretationsv
dc.subjectviolinsv
dc.titleDreams - A Journey through Bach’s Chaconnesv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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