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dc.contributor.authorSandem Strømsnes, Jens Inge
dc.date.accessioned2012-03-05T14:29:14Z
dc.date.available2012-03-05T14:29:14Z
dc.date.issued2012-03-05
dc.identifier.urihttp://hdl.handle.net/2077/28890
dc.description.abstractHaving developed an awareness of regional differences within the trombone idiom during my studies, I became interested in exploring these, with a clear emphasis on that of the romantic German trombone which was developed during the 19th century and still enjoys a wide popularity in the German language area. The work has had a theoretical as well as a practical side; learning what are the established truths about this particular type of instruments and its idiom compared to other traditions, learning which developments might have brought about its advent, and exploring personally and subjectively what characterizes the sound, feel, and build of a relatively small selection of historic ”German” type trombones. I also discuss its applicability and relevance, especially in the contemporary Scandinavian music world.sv
dc.language.isonorsv
dc.subjecttrombonesv
dc.subjectbrasssv
dc.subjectgermansv
dc.subjectgermanicsv
dc.subjectteutonicsv
dc.subjectorchestrasv
dc.subjectorchestralsv
dc.subjectsoundsv
dc.subjectsound parameterssv
dc.titleDie Deutsche Konzertposaune. Utviklingen av tyske trombone fra 1800-1940.sv
dc.title.alternativeDie Deutsche Konzertposaune. The development of German trombones from 1800-1940.sv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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