Browsing ArtMonitor/Konstnärliga fakulteten by Title
Now showing items 1-20 of 33
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A Field of Possibilities: Designing and Playing Digital Musical Instruments
(2011-11-04)This thesis focuses on a set of digital musical instruments I have designed and developed with ensemble improvisation in mind. The intention is not to create a universal improvisational instrument, but rather to create a ... -
Actor-Spectator in a Virtual Reality Arts Play
(2008-12-10)This doctoral project brings to the fore the specificity of the artistic experience when the Virtual Reality Cube, a medium based on immersive virtual reality technology, is used as artistic virtual space, where the stage ... -
Anteckningar om Spår. Fotografi – Bevis – Bild
(2011-04-29)Anteckningar om Spår (Notes on Traces) is a self-critical and self-reflective practice-based PhD project. It endeavours to make visible how artistic practice can create its content and context in relation to experience, ... -
Art and the Real-time Archive: Relocation, Remix, Response
(2009-09-11)If Internet artists have recently relocated their work to galleries and museums, there has meanwhile been an increasing engagement on the part of gallery artists with the media. While these migrations are often discussed ... -
Ateljésamtalets utmaning – ett bildningsperspektiv
(2011-05-20)The present study is in the field of Educational Science and is an investigation of the studio critiques i.e. the teacher/student studio interactions that take place as part of two higher education programmes in the Fine ... -
Att ge form åt musikaliska gestaltningar. En socialsemiotisk studie av körledares multimodala kommunikation i kör
(2009-08-27)The purpose of this thesis is to identify and describe how musical interpretations and performances are semiotically designed and realised by choir conductors in their interaction with choir singers during rehearsals and ... -
Att peka ut det osynliga i rörelse: En didaktisk studie av taktart i musik
(2010-09-30)The aim of this study is to examine what constitutes being able to discern time in music, as seen from the learner’s perspective. Listening is not only regarded as a higher mental process but also as a core skill in musical ... -
Att skapa ordning för det estetiska i skolan. Diskursiva positioneringar i samtal med lärare och skolledare
(2006)Recent rhetoric on aesthetic activities of the school has gained an increasingly large scope over the last few decades in Swedish texts on educational politics and educational science. In relation to the questioning of ... -
Barns musikkomponerande i tradition och förändring
(2012-07-19)This thesis focuses on education at Swedish community music and arts schools and at primary schools. The aim of the study is to contribute to knowledge formation within the field of music education by examining how ... -
Claiming Space: Discourses on Gender, Popular Music, and Social Change
(2011-01-27)This compilation (portfolio) thesis explores how language is used in the context of gender-equity music initiatives to construct ideas about gender, popular music, and social change. More specifically, it examines the use ... -
Concrete Fashion: Dress, Art, and Engagement in Public Space
(2009-12-11)This dissertation is an example of artistic research that explores the border between fashion design and contemporary art, in order to place situated bodily practices within the larger field of exploration and ideology, ... -
Devices. On Hospitality, Hostility and Design
(2012-03-14)This thesis studies and speculates upon the interrelations of artefacts with human and nonhuman agents. These interrelations form assemblages, some of which have emergent properties, becoming manifestations of processes ... -
Fashion-able. Hacktivism and engaged fashion design
(2008-09-22)This thesis consists of a series of extensive projects which aim to explore a new designer role for fashion. It is a role that experiments with how fashion can be reverse engineered, hacked, tuned and shared among many ... -
Free Ensemble Improvisation
(2009-05-14)The aim of this doctoral project has been to study so-called non-idiomatic improvisation in ensembles consisting of two or three musicians who play together without any restrictions regarding style or genre and without ... -
I Hear Voices In Everything! Step by step
(Konsthögskolan Valand, 2014) -
Imagination, Form, Movement and Sound: Studies in Musical Improvisation
(2008)How does one improvise? How can one learn the art of improvisation? By considering these two questions this thesis aspires to make a contribution towards a greater understanding of what the production of improvised music ... -
Jag går från läsning till gestaltning - beskrivningar ur en monologpraktik
(2012-01-04)I go from reading to performing. Descriptions from a monologue practice is a dissertation based on an actor’s work with monologues. The path of work is traced and described from a practitioner’s perspective. Concrete ... -
Jag hör röster överallt - Step by Step
(2011-05-04)I Hear Voices in Everything – Step by Step, is a practise-based dissertation in fine arts. It includes three art exhibitions, several independent art works and an essay. It discusses the role of the artist and the making ... -
Kroppar under träd - en miljö för konstnärlig forskning
(2010-02-02)This dissertation in the field of artistic research is an articulation, in words and images, on the experience of working with a notional environment for artistic research. It is not a reflection on or a description of the ... -
“Lasciatemi morire” o farò “La Finta Pazza”: Embodying Vocal Nothingness on Stage in Italian and French 17th Century Operatic Laments and Mad Scenes
(2011-05-16)This music research drama thesis explores and presents a singer’s artistic research process from the first meeting with a musical score until the first steps of the performance on stage. The aim has been to define and ...