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dc.contributor.authorSvensson, Filip V
dc.date.accessioned2013-06-27T15:26:13Z
dc.date.available2013-06-27T15:26:13Z
dc.date.issued2013-06-27
dc.identifier.urihttp://hdl.handle.net/2077/33234
dc.description.abstractThe aim of this essay is to trace "Frankenstein" back to its origin in an attempt to revisit the creative "chaos" behind Shelley's gothic horror story, in order to unveil a hitherto undiscovered latent meaning that lurks behind the narrative structure. By subjecting Shelley's "Frankenstein" to a psychoanalysis that draws on Freud in focusing on the "dream" as wish fulfillment, while showing how a formalist approach can be a part of psychoanalysis by the introduction of Maslowian theory, along with the incorporation of a proposed cognitive disposition of the implied author into the analysis - this essay, in a sense, seeks not only to offer an original reading of Mary Shelley's "hideous progeny", but also to revive the (in the wake of New Criticism) somewhat forgotten author herself.sv
dc.language.isoengsv
dc.relation.ispartofseriesSPL kandidatuppsats i engelskasv
dc.relation.ispartofseriesSPL 2013-024sv
dc.subjectFrankensteinsv
dc.subjectMary Shelleysv
dc.subjectSigmund Freudsv
dc.subjectAbraham Maslowsv
dc.subjectDavid Humesv
dc.subjectJames T. Webbsv
dc.subjectpsychoanalysissv
dc.subjectimplied authorsv
dc.subjectgiftedness
dc.titleFrankenstein, or the Voice of Chaos - A Psychoanalytical Reading of Mary Shelley's Journey Into the Subconscious of a Gifted Mindsv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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