dc.contributor.author | Tsvetkova, Svetla | |
dc.date.accessioned | 2014-02-19T15:17:15Z | |
dc.date.available | 2014-02-19T15:17:15Z | |
dc.date.issued | 2014-02-19 | |
dc.identifier.uri | http://hdl.handle.net/2077/35182 | |
dc.description.abstract | In this thesis I focus on Louis Vierne’s Six Symphonies for Organ. In the Introduction I make a historical overview of the epoch in which Vierne lived and composed his works. I list the dispositions of the organ at the Notre-Dame Cathedral during the time Vierne was organist there, because of the importance that this instrument has for Vierne as a musician. In the second part of the thesis I focus on my interpretation of the symphonies. I explore some of Vierne’s thoughts about organ playing and I make my own commentaries, which are based on my own experience of playing Vierne’s music. I also use my own recordings, which I made during the period that I studied the symphonies and during my concert series of the pieces in order to illustrate the different aspects of my interpretation. | sv |
dc.language.iso | eng | sv |
dc.subject | Louis Vierne | sv |
dc.subject | Symphony for Organ | sv |
dc.subject | articulation | sv |
dc.subject | rubato | sv |
dc.subject | registration | sv |
dc.subject | tempo | sv |
dc.subject | legato | sv |
dc.subject | organ | sv |
dc.subject | Notre-Dame Cathedral | sv |
dc.subject | Cavaillé-Coll | sv |
dc.subject | cyclic form | sv |
dc.title | Performing the six organ symphonies of Louis Vierne | sv |
dc.type | Text | |
dc.setspec.uppsok | FineArt | |
dc.type.uppsok | H2 | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.type.degree | Student essay | |