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dc.contributor.authorTsvetkova, Svetla
dc.date.accessioned2014-02-19T15:17:15Z
dc.date.available2014-02-19T15:17:15Z
dc.date.issued2014-02-19
dc.identifier.urihttp://hdl.handle.net/2077/35182
dc.description.abstractIn this thesis I focus on Louis Vierne’s Six Symphonies for Organ. In the Introduction I make a historical overview of the epoch in which Vierne lived and composed his works. I list the dispositions of the organ at the Notre-Dame Cathedral during the time Vierne was organist there, because of the importance that this instrument has for Vierne as a musician. In the second part of the thesis I focus on my interpretation of the symphonies. I explore some of Vierne’s thoughts about organ playing and I make my own commentaries, which are based on my own experience of playing Vierne’s music. I also use my own recordings, which I made during the period that I studied the symphonies and during my concert series of the pieces in order to illustrate the different aspects of my interpretation.sv
dc.language.isoengsv
dc.subjectLouis Viernesv
dc.subjectSymphony for Organsv
dc.subjectarticulationsv
dc.subjectrubatosv
dc.subjectregistrationsv
dc.subjecttemposv
dc.subjectlegatosv
dc.subjectorgansv
dc.subjectNotre-Dame Cathedralsv
dc.subjectCavaillé-Collsv
dc.subjectcyclic formsv
dc.titlePerforming the six organ symphonies of Louis Viernesv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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