Monster, Motstånd, Makt & Magi

von Fräähsen, Frej

dc.contributor.author	von Fräähsen, Frej
dc.date.accessioned	2014-07-17T11:58:57Z
dc.date.available	2014-07-17T11:58:57Z
dc.date.issued	2014-07-17
dc.identifier.uri	http://hdl.handle.net/2077/36493
dc.description.abstract	The aim of this thesis is to model my artistic practice on an adaptation of Joseph Campbells monomyth and, using this model, investigate challenges of performativity in art (in public spaces). The overall themes are personal, aesthetic and ethical sovereignty and an uncompromising search for a deepening of the artistic practice. More than anything else it is a map and a story of an artist’s expansion out into an artistic field that is little developed in Sweden. It is my hope that this thesis, by using a thoroughly subjective tone, will contribute to the milieu of performative arts in Sweden as well as widen the “how” regarding the making of a written thesis.	sv
dc.language.iso	swe	sv
dc.subject	performancekonst	sv
dc.subject	performance	sv
dc.subject	performativ konst	sv
dc.subject	monster	sv
dc.subject	dans	sv
dc.subject	koreografi	sv
dc.subject	samtidskonst	sv
dc.subject	suveränitet	sv
dc.subject	makt	sv
dc.subject	magi	sv
dc.subject	performance art	sv
dc.subject	contemporary art	sv
dc.subject	dance	sv
dc.subject	choreography	sv
dc.title	Monster, Motstånd, Makt & Magi	sv
dc.type	Text
dc.setspec.uppsok	FineArt
dc.type.uppsok	H2
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.type.degree	Student essay