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dc.contributor.authorBarroso Muñoz, Marta
dc.date.accessioned2014-08-05T12:04:35Z
dc.date.available2014-08-05T12:04:35Z
dc.date.issued2014-08-05
dc.identifier.urihttp://hdl.handle.net/2077/36553
dc.description.abstractThis thesis is an approach to the fourth octave on the flute. The subject is looked at from three different perspectives: the physical, the historical and the technical one. First I investigated the characteristics and the limits of the instrument according to its construction. Then I had an approach to the fourth octave analyzing the flute repertoire. And last I read in flute treatises about the fourth octave and the fingerings. Then all those ideas were brought to the practice room where I experimented with the fourth octave and wrote about my experience. This work is expressed in this text, where also some musical examples of exercises that I have modified can be found and, moreover, there are four recordings made by myself. Three of them are a demonstration of those exercises and the fourth one is an example of a passage where the fourth octave can be found on a flute piece, this is Prokofiev's Sonata for flute and piano.sv
dc.language.isoengsv
dc.subjectflutesv
dc.subjectfourth octavesv
dc.subjectfourth registersv
dc.subjectflute techniquesv
dc.titleThe fourth octave on the flutesv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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