dc.contributor.editor | Östlind, Niclas | |
dc.contributor.editor | Dackenberg, Hans | |
dc.contributor.editor | Sundström, Maria | |
dc.date.accessioned | 2014-10-17T13:11:13Z | |
dc.date.available | 2014-10-17T13:11:13Z | |
dc.date.issued | 2014 | |
dc.identifier.isbn | 978-91-7843-440-4 | |
dc.identifier.uri | http://hdl.handle.net/2077/37231 | |
dc.description | Utställningskatalog | sv |
dc.description.abstract | Through its richness of detail and clarity, the photograph creates a presence that bridges both time and space, but photographic realism also risks locking the picture into the
immediately discernible strata of existence and lulling the viewer into a sense of overview and participation. For that reason, it is important to regard photographic pictures both curiously and critically: this applies, not least, to photography in the cultural-historical context. | sv |
dc.description.sponsorship | Västerbottens museum och Umeå2014 | sv |
dc.format.extent | 160 | sv |
dc.language.iso | eng | sv |
dc.publisher | Bokförlaget Arena | sv |
dc.subject | fotohistoria | sv |
dc.title | Tidens långsamhet och livets flykt | sv |
dc.title.alternative | Time’s Slowness and Life’s Swiftness | sv |
dc.type | Text | sv |
dc.type | Image | sv |
dc.type.svep | book | sv |
dc.contributor.organization | Västerbottens museum | sv |