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dc.contributor.authorLee Gerdén, Mara
dc.date.accessioned2014-11-05T15:39:05Z
dc.date.available2014-11-05T15:39:05Z
dc.date.issued2014-11-05
dc.identifier.isbn978-91-86133-58-0
dc.identifier.urihttp://hdl.handle.net/2077/37324
dc.description.abstractHow would a writer describe responsibility in writing, and in what ways could writing be conceived as resistance? One of the fundamental convictions in The writing of Others: writing conceived as resistance, responsibility and time, is that words do things, and that the definition of the performative qualities of literary and poetic language can not be confined to the mere act, but to an act that is also an event with the force to transform our relation the other. This dissertation is committed to doing theory, poetically, by engaging in the empirical experience of writing, and emphasizing the significance of bodily and sensory knowledge. The French literary tradition of écriture feminine with precursors Hélène Cixous and Julia Kristeva constitutes a crucial reference as this tradition stresses the importance of poetic language in knowledge production. But writing écriture feminine for the third millenium entails further thinking within this very tradition, as Other times are now prevailing. Others and times are precisely the keys to this elaboration of the tradition of écriture feminine, inscribing postcolonial thinking into the writing experience and focusing on the question of temporality. The writers Trinh T Minh-ha and Gloria Anzaldúa are both of vital importance for the articulation of a feminist point of view combined with postcolonial criticism that is steadily anchored in literary and linguistic grounds. Regarding the focus on temporality this study aims at two things: on the one hand displacing and analyzing “old” theoretical concepts as for instance das Unheimliche and mimicry, and on the other hand creating and coining new temporal figurations. These new figurations – the last hour, the tearing moment, the shared Schmertzpunkt and the arrested time – provide embodied theoretical concepts and point towards the intersection of resistance, responsibility and time. The question of responsibility is explored throughout this study – the question if and how the writing of Others might be a specific way of being responsible in writing.sv
dc.language.isoswesv
dc.relation.ispartofseriesArtMonitorsv
dc.relation.ispartofseries50sv
dc.subjectothersv
dc.subjectothernesssv
dc.subjectwritingsv
dc.subjecttemporalitysv
dc.subjecttimesv
dc.subjectqueer temporalitysv
dc.subjectpoetic writingsv
dc.subjectécriture fémininesv
dc.subjectfigurationsv
dc.subjectcounter inscriptionsv
dc.subjectperformativitysv
dc.subjectresponsibilitysv
dc.subjectpoeticssv
dc.subjectthird spacesv
dc.subjectfeminist theorysv
dc.subjectpostcolonial theorysv
dc.subjectmimicrysv
dc.subjectHélène Cixoussv
dc.subjectTrinh T Minh-hasv
dc.subjectSara Ahmedsv
dc.subjectKatarina Frostensonsv
dc.subjectJean Genetsv
dc.subjectAimé Césairesv
dc.titleNär andra skriver: skrivande som motstånd, ansvar och tidsv
dc.typeText
dc.type.svepDoctoral thesiseng
dc.gup.mailmaragerden@hotmail.comsv
dc.type.degreeDoctor of Philosophysv
dc.gup.originGöteborgs universitet. Konstnärliga fakultetenswe
dc.gup.originUniversity of Gothenburg. Faculty of Fine, Applied and Performing Artseng
dc.gup.departmentValand Academy ; Akademin Valandsv
dc.gup.defenceplaceFredagen den 28 novenmber 2014 kl 13.00 i Lingsalen, Studenternas hus, Götabersgatan 17, Göteborgsv
dc.gup.defencedate2014-11-28
dc.gup.dissdb-fakultetKF


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