dc.contributor.author | Karlsén, Andrea | |
dc.date.accessioned | 2015-01-02T10:59:21Z | |
dc.date.available | 2015-01-02T10:59:21Z | |
dc.date.issued | 2015-01-02 | |
dc.identifier.uri | http://hdl.handle.net/2077/37821 | |
dc.description.abstract | This essay analyzes three Swedish cartoon artists: Elias Ericson, Lisa Ewald and Amanda
Casanellas. The aim is to examine how they construct feminist strategies through their work
and how they convey this visually. The issue of whether these Swedish cartoons can be seen
as a part of a bigger political platform is central. Through semiotics and post-colonial and
queer feminist theory, some answers to these questions are searched for.
The result shows that all three of the artists can be seen in a bigger activist context, even if
they work in and through different platforms. Casanellas questions the racism in Sweden
and how we should prevent it. Ericson explores the everyday life and difficulties of a
transgender person, while Ewald challenges the art-historical idea of the male genius. The
common factor is their will to create resistance through the work of art that is comics. | sv |
dc.language.iso | swe | sv |
dc.subject | Swedish cartoons | sv |
dc.subject | feminist theory | sv |
dc.subject | queer theory | sv |
dc.subject | political art | sv |
dc.subject | performativity | sv |
dc.subject | post-colonial studies | sv |
dc.title | Bang! Let's smash the patriarchy Hur svenska serietecknare konstruerar och förhandlar feministiska diskurser | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Cultural Sciences | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för kulturvetenskaper | swe |
dc.type.degree | Student essay | |