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dc.contributor.authorWestin, Jens
dc.date.accessioned2015-02-16T10:49:29Z
dc.date.available2015-02-16T10:49:29Z
dc.date.issued2015-02-16
dc.identifier.urihttp://hdl.handle.net/2077/38271
dc.description.abstractThe aim of the essay is to argue that Patrick Hamilton´s The Slaves of Solitude could be seen as conscious criticism of the prevalent notions of British national identity in the 1940s. Based on the premise that national identity is a constructed phenomenon subject to negotiation, the conceptual uses of national identity in cultural senses are analysed. Using relevant non-literary critical material, the essay argues that Hamilton uses the main protagonist of the novel, in relation to the other characters, to illustrate and criticise aspects of national identity in 1940s England. By doing this the essay broadens the discussion of Hamilton to be regarded as a social commentator depicting social concepts of identity.sv
dc.language.isoengsv
dc.relation.ispartofseriesSPL Kandidatuppsats i engelskasv
dc.relation.ispartofseriesSPL 2014-100sv
dc.subjectNational identitysv
dc.subjectNationalitysv
dc.subjectEnglishnesssv
dc.subjectGerman-nesssv
dc.titleNational Identity in Patrick Hamilton's The Slaves of Solitudesv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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