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Fusion i aktion, Odissi som konstnärligt instrument i västerländsk teater

Fusion in action. Odissi as an artistic instrument in western theater

Abstract
In search of a stage language that resonates in historical disciplines, I have explored the possibility to expand my performing arts through the language of Indian classical Odissi, through different forms of storytelling. In my work I have focused primarily on two projects inspired by the original scripts of Macbeth by William Shakespeare and Breaking Bad by Vince Gilligan. I have outlined examples of methods and techniques used in the process. The work also shows how Odissi has evolved from a religious and philosophical tradition of temple dance; into modern stage theatre performance.The work aims to connect Odissi with western performing art. In this process I have been using my own knowledge about Odissi as a tool in combining both the traditions, a fusion in action. I will physically examine the artistic idiom, the characteristics, the actions and deeds found in stylized Odissi imagery and symbols, traditionally used to embody mythological and epic stories. A rendezvous between East and West. With myself as an Odissi practitioner and actor.
Degree
Student essay
URI
http://hdl.handle.net/2077/38411
Collections
  • Masteruppsatser/Högskolan för scen och musik
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Examensarbete inom konstnärligt masterprogram i teater (2.682Mb)
Video 1 (663.6Mb)
Video 3 (3.582Gb)
Video 2 (680.4Mb)
Video 4 (737.3Mb)
Video 5 (322.6Mb)
Video 6 (134.5Mb)
Video 7 (305.3Mb)
Video 8 (205.5Mb)
Date
2015-03-06
Author
Pooja Claesson, Anette
Keywords
Odissi dance
dancedrama
physical theatre
Odissi research
Lady Macbeth
Breaking Bad
Indian dance
asian dance & theater
Odissi
dansdrama
fysisk teater
indisk dans
dansteater
asiatisk dansteater
Language
swe
Metadata
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