| dc.contributor.author | Ponthin, Zaida | |
| dc.date.accessioned | 2015-06-24T09:24:27Z | |
| dc.date.available | 2015-06-24T09:24:27Z | |
| dc.date.issued | 2015-06-24 | |
| dc.identifier.uri | http://hdl.handle.net/2077/39516 | |
| dc.description.abstract | I have analysed the use of portamenti by violinists Janine Jansen, Itzhak Perlman, Jascha Heifetz and Nathan Milstein in the first 8 bars and the two parallel phrases of the Max Bruch Violin Concerto No. 1 in G minor. I have copied their portamenti and recorded myself performing theese phrases in style of each violinist. By doing this I have learnt new ways to use shifting on the violin for expressive purposes and realized how much there is to learn by imitating your predecessor. | sv |
| dc.language.iso | swe | sv |
| dc.subject | portamento | sv |
| dc.subject | Bruch violinkonsert | sv |
| dc.subject | Milstein | sv |
| dc.subject | Heifetz | sv |
| dc.subject | Perlman | sv |
| dc.subject | Jansen | sv |
| dc.subject | analytiskt lyssnande | sv |
| dc.subject | lägesväxlingar | sv |
| dc.title | Om portamentoanvändning för violin | sv |
| dc.type | Text | |
| dc.setspec.uppsok | FineArt | |
| dc.type.uppsok | M2 | |
| dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
| dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
| dc.type.degree | Student essay | |
