Ecologies of Practices and Thinking
Abstract
How does a new materialist film practice look? To approach this question the practice-led
material driven research explores dynamic ecological relations and processes of thinking
and practicing. It employs an animist methodology which allows it to relate to the
nonhuman as an active participant, rather than a passive object of inquiry. The approach
intensifies affinities and bonds with the other-than-human, and activates a path into materiality and knowledge production different from humanfocused epistemologies. Forming
particular connections with matter and situating oneself within specific and relations, the project mobilizes and is mobilized by affects, percepts and sensations of the more-thanhumans. The first chapter inquires into inherited scientific, technological, social-political and philosophical epistemologies often based on colonial and anthropocentric presumptions and mappings of the world. However, the research does not strive to rewrite or reclaim a certain history, identity or a place, it instead outlines concepts like becoming or lines of flight that pass through these legacies, building more complex and fruitful temporalities, interrelations and geographies. The writing often collaborates with Gilles Deleuze and Félix Guattari, as their philosophy explicitly acknowledges inhuman forces and ambiguous ontologies. In the second chapter the focus moves towards processes, when individuals become multiplicities, when animals, plants and things are endowed with inhuman force or personhood, when matter is enthusiastic and territories are not just static backgrounds.
From here the research literally travels. It travels with specific singularities and their
material based practices — an entire ecology of practice often building innumerable
interconnections and even landscapes. Situating itself within the ecological relational
field, the research project explores methodologies of collaboration and becoming with the more-thanhuman practiced by sorcerers and fabulists from Cuba and South Korea, and by farmers from China, Burkina Faso and Japan.
Parts of work
No, I am not a Toad, I am a Turtle!. Berlin: Archive Books, 2012. With Illustrations. ISBN 978-3-943620-00-9 prendas — ngangas — enquisos — machines {each part
welcomes the other without saying}. Berlin: Archive Books,
2015. With Illustrations. ISBN 978-3-943620-35-1 Shape Shifting. Berlin: Archive Books, 2015. With Illustrations. ISBN
978-3-943620-36-8, in collaboration with Mikhail Lylov Nobody knows, when it was made and why. Berlin: Archive Books,
2015. With Illustrations. ISBN 978-3-943620-37-5
Degree
Doctor of Philosophy (in Fine Arts)
University
Göteborgs universitet. Konstnärliga fakulteten
University of Gothenburg. Faculty of Fine, Applied and Performing Arts
Institution
Valand Academy ; Akademin Valand
Disputation
Torsdagen den 17 december 2015, kl 13.30, Glashuset, Akademin Valand, Chalmersgatan 4, Göteborg
Date of defence
2015-12-17
contact@whateverbeing.de
Other description
Screening of the four films included in the thesis takes place:
Wednesday 16th December at 18:00, Bio Valand, Storgatan 43. Göteborg:
1 No, I am not a Toad, I am a Turtle!
Thursday 17th December at 10:00, Biograf Göta 3, Götaplatsen, Göteborg:
2 prendas — ngangas — enquisos — machines {each part welcomes the
other without saying}
3 Nobody knows, when it was made and why
4 Shape Shifting
View/ Open
Date
2015-11-26Author
Marhöfer, Elke
Keywords
new materialism
film
image
matter
nonhuman
more-than-human
other-than-human
not-so-human
ecology
agriculture
otherness
storytelling
enunciation
post-context
post-history
animism
colonialism
becoming with
seeing together
lines of flight
modes
animals
plants
things
territories
multiplicities
chaos
expressive continuum
rerational aesthetics
radical empiricism
Baruch Spinoza
Gilles Deleuze
Félix Guattari
Isabelle Stengers
Donna Haraway
Anna Lowenhaupt Tsing
Brian Massumi
Danièle Huillet
Jean Marie Straub
Publication type
Doctoral thesis
ISBN
978-91-982422-2-5
Series/Report no.
ArtMonitor
54
Language
eng