Interpreting the Mystery: Playing the Bach Solo Suites for Cello

dc.contributor.author	Spargo, Ruth
dc.date.accessioned	2016-01-02T10:19:25Z
dc.date.available	2016-01-02T10:19:25Z
dc.date.issued	2016-01-02
dc.identifier.uri	http://hdl.handle.net/2077/41373
dc.description.abstract	This thesis explores the practice and preparation undertaken before a series of concerts featuring all of Bach Solo Cello Suites. It includes some information and background to Bach and the Suites and then discusses the musicians general approach to performing the works. It then addresses various issues within each of the Suites including interpretation, recordings, overcoming technical issues, sacred versus secular appriaches. After reflections and evaluation it discusses possible projects for the future.	sv
dc.language.iso	eng	sv
dc.subject	Bach Cello Suites	sv
dc.subject	performance	sv
dc.subject	practice	sv
dc.subject	preparation	sv
dc.subject	reflection	sv
dc.subject	interpretation	sv
dc.subject	Severnside Festival	sv
dc.subject	interpreting the mystery	sv
dc.subject	playing the Bach solo	sv
dc.subject	Suites for Cello	sv
dc.title	Interpreting the Mystery: Playing the Bach Solo Suites for Cello	sv
dc.type	Text
dc.setspec.uppsok	FineArt
dc.type.uppsok	H2
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.type.degree	Student essay