dc.contributor.author | Hemlin, Klas | |
dc.date.accessioned | 2016-02-05T12:22:20Z | |
dc.date.available | 2016-02-05T12:22:20Z | |
dc.date.issued | 2016-02-05 | |
dc.identifier.uri | http://hdl.handle.net/2077/41797 | |
dc.description.abstract | In his writing, Ernest Hemingway made frequent use of the word ‘honesty’.
‘Honesty’ is, however, an ambiguous term, and it is not an entirely simple task to figure out
exactly what Hemingway meant when he used it. In this essay one of the objectives will be to
seek to understand and establish a definition of the ‘honesty’ which Hemingway employed in
his writing. During his lifetime, Hemingway indicated more than once that his novel A
Farewell to Arms was meant as a tragedy. This notion has, over the years, been largely
ignored by critics due to the fact that the novel does not fit into the category of tragedy as
defined by Aristotle. Another objective of this essay, therefore, will be to examine A Farewell
to Arms closely in order to see whether the novel can be said to create a tragic effect. The
final and main objective of the essay will be to connect Hemingway’s ‘honesty’ with the
tragedy of A Farewell to Arms to understand in what way, as I believe it does, the former
contributes toward the latter. | sv |
dc.language.iso | eng | sv |
dc.relation.ispartofseries | SPL kandidatuppsats i engelska | sv |
dc.relation.ispartofseries | SPL 2015-111 | sv |
dc.subject | Ernest Hemingway | sv |
dc.subject | Honesty | sv |
dc.subject | Aristotle | sv |
dc.subject | Tragic Effect | sv |
dc.title | HEMINGWAY’S HONESTY AND THE TRAGEDY OF A FAREWELL TO ARMS | sv |
dc.type | Text | |
dc.setspec.uppsok | HumanitiesTheology | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Department of Languages and Literatures | eng |
dc.contributor.department | Göteborgs universitet/Institutionen för språk och litteraturer | swe |
dc.type.degree | Student essay | |