dc.contributor.author | Kristin, Tuomisto | |
dc.date.accessioned | 2016-09-30T09:52:09Z | |
dc.date.available | 2016-09-30T09:52:09Z | |
dc.date.issued | 2016-09-30 | |
dc.identifier.uri | http://hdl.handle.net/2077/47855 | |
dc.description.abstract | This thesis deals with the process of how to create a cadenza for a Mozart concerto movement for the violin. I have analysed cadenzas for violin and piano, by Mozart as well as by romantic performers writing for the violin. I have looked at what type of fragments have been used, and how they have been elaborated. The structure of written cadenzas has been examined. I have used different methods to produce variations of fragments from the concerto movement, and reached an interesting result by it. I have improvised on fragments from the concerto, creating material for a cadenza of my own. During the process, I created a quick reference guide for cadenza writing, applicable to any instrument, which I have used step by step to achieve the cadenza I have created. | sv |
dc.language.iso | eng | sv |
dc.subject | Cadenza | sv |
dc.subject | W.A. Mozart A major violin concerto | sv |
dc.subject | Joseph Joachim | sv |
dc.subject | Sam Franko | sv |
dc.subject | structuring a cadenza | sv |
dc.subject | instrumental cadenza | sv |
dc.title | How to create a violin cadenza for a Mozart concerto movement | sv |
dc.type | Text | |
dc.setspec.uppsok | FineArt | |
dc.type.uppsok | H2 | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.type.degree | Student essay | |