| dc.contributor.author | Brouns, Brenda | |
| dc.date.accessioned | 2016-10-03T08:42:27Z | |
| dc.date.available | 2016-10-03T08:42:27Z | |
| dc.date.issued | 2016-10-03 | |
| dc.identifier.uri | http://hdl.handle.net/2077/47878 | |
| dc.description.abstract | This thesis deals with the difficulties in approaching an authentic style in interpreting and performing music from the eighteenth century on a modern instrument trying to adapt it to the context of the nowadays listener. During this project I will prepare a performance of the violin Concerto in A from an unknown composer, probably Vivaldi. In this I will try to make a compromise between what is written in old sources about various musical and violin technical issues, and what can be found in the score, and my own ideas. | sv |
| dc.language.iso | eng | sv |
| dc.subject | violin | sv |
| dc.subject | performance practice | sv |
| dc.subject | Italian baroque | sv |
| dc.subject | eighteenth century music | sv |
| dc.title | Performing an 18th century violin concerto today | sv |
| dc.type | Text | |
| dc.setspec.uppsok | FineArt | |
| dc.type.uppsok | H2 | |
| dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
| dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
| dc.type.degree | Student essay | |
