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dc.contributor.authorLandin, Malin
dc.date.accessioned2017-06-08T09:37:43Z
dc.date.available2017-06-08T09:37:43Z
dc.date.issued2017-06-08
dc.identifier.urihttp://hdl.handle.net/2077/52515
dc.description.abstractDuring the long eighteenth century there was an ongoing shift in masculine ideals which ultimately created the stereotypical Victorian man. This essay will examine Jane Austen’s novel Sense and Sensibility to find out if this shift is visible in her writing. To determine if this is the case I will do a character and plot analysis focusing on the three male characters most central to the novel, Colonel Brandon, Edward, and Willoughby. The analysis of these three characters will be done in relation to the changes in masculinity that are most relevant to Austen’s writing. Specifically, they have to do with masculinity asserting itself in opposition to femininity and effeminacy in different ways. I have limited my analysis to the creation of an English national masculinity connected to manly restraint, and the increasing gap between masculinity and femininity. This essay will show that the two heroes Brandon and Edward correspond to the Victorian ideals and that the villain Willoughby does not, which ultimately shows that Austen supported the new masculine ideals.sv
dc.language.isoengsv
dc.relation.ispartofserieskandidatuppsats Engelskasv
dc.relation.ispartofseriesSPL 2017-005sv
dc.subjectJane Austensv
dc.subjectMasculinitysv
dc.subjectGendersv
dc.subjectSense and Sensibilitysv
dc.titleCREATING THE VICTORIAN MAN An Analysis of the New Masculine Ideals in Jane Austen’s Sense and Sensibilitysv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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