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dc.contributor.authorBergström, Joel
dc.date.accessioned2018-07-29T11:48:36Z
dc.date.available2018-07-29T11:48:36Z
dc.date.issued2018-07-29
dc.identifier.urihttp://hdl.handle.net/2077/57200
dc.description.abstractThe purpose of this investigation was to create a chromatic function analysis which can help to guide and give other viewpoints to harmonic relations and to be an instrument for supporting me in my artistic process of improvisation and composition. The new model is based mostly on Riemann analysis but I have in addition incorporated different theorists, Söderholm, Ingelf, Levy and Jersild, adaptations of Riemann analysis. The new model is evaluated using different classical pieces. It is as well applied to two poems by Edith Södergran and one fuge, all composed by me. Looking at my compositions the experience was that I felt more confident in my way of making music. With this confidence I dared to go further with my music and to express myself more. The chromatic function analysis instrument supports and enforces my artistic process in the arts of composition.sv
dc.language.isoengsv
dc.subjectChromaticsv
dc.subjectFunctionsv
dc.subjectAnalysissv
dc.subjectImprovisationsv
dc.subjectCompositionsv
dc.subjectNegative Harmonysv
dc.subjectHarmonilärasv
dc.subjectSöderholmsv
dc.subjectLär av mästarnasv
dc.subjectIngelfsv
dc.subjectA Theory of Harmonysv
dc.subjectLevysv
dc.subjectRomantikens Harmoniksv
dc.subjectJersildsv
dc.subjectColemansv
dc.subjectColliersv
dc.subjectSödergransv
dc.subjectNocturnesv
dc.subjectStjärnornasv
dc.subjectBergström's Chromatic Function Analysis Circlesv
dc.titleChromatic Function Analysis. An instrument for function analysis, improvisation and compositionsv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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