Singing at the Clavichord: Interpretative aspects of repertoire from Brødremenigheden in Christiansfeld

dc.date.accessioned	2018-12-11T13:08:16Z
dc.date.available	2018-12-11T13:08:16Z
dc.date.issued	2018-10-11
dc.identifier.uri	http://hdl.handle.net/2077/58360
dc.description	Artistic research conference presentation in the form of a lecture-‐recital.	sv
dc.language.iso	eng	sv
dc.subject	Voice	sv
dc.subject	clavichord	sv
dc.subject	Moravian music	sv
dc.subject	Christiansfeld	sv
dc.subject	emotives	sv
dc.subject	Türk	sv
dc.subject	expressivity	sv
dc.title	Singing at the Clavichord: Interpretative aspects of repertoire from Brødremenigheden in Christiansfeld	sv
dc.type.svep	artistic work
dc.contributor.creator	Ekström, Christina
dc.contributor.creator	Speerstra, Joel
art.typeOfWork	Artistic research presentation	sv
art.relation.publishedIn	The 6th Bethlehem, Conference on Moravian History and Music, (Bethlehem, PA, USA).	sv
art.description.workIncluded	The report consists of a pdf and three recorded music examples.	sv
art.description.project	See attached pdfs (GUPEA Ekström Speerstra 2018, and Conference Program) and three mp3 files (Music examples 1–3).	sv
art.description.summary	A report on performance experiments for voice and clavichord using 18th c. songbooks from the Moravian Church in Christiansfeld, DK. The key concept of the “emotive” was found effective in order to embody the expressive Moravian music tradition.	sv
art.description.supportedBy	Vetenskapsråds projekt ”Creative Keyboards” and a research grant from HSM.	sv
art.relation.uri	http://www.moravianconferences.org/	sv