| dc.contributor.author | Gadea Salom, Guillem | |
| dc.date.accessioned | 2019-10-08T09:42:09Z | |
| dc.date.available | 2019-10-08T09:42:09Z | |
| dc.date.issued | 2019-10-08 | |
| dc.identifier.uri | http://hdl.handle.net/2077/62110 | |
| dc.description.abstract | An analysis of the violin solos in Richard Wagner’s operas, from a symbolic, narrative and musical point of view, and how it translates into a better performance. | sv |
| dc.language.iso | eng | sv |
| dc.subject | Wagner | sv |
| dc.subject | Leitmotif | sv |
| dc.subject | Theme | sv |
| dc.subject | Violin | sv |
| dc.subject | Symbolism | sv |
| dc.subject | Opera | sv |
| dc.subject | Solos | sv |
| dc.title | Violin solos in Wagner Operas - A thematic and symbolic analysis | sv |
| dc.type | Text | |
| dc.setspec.uppsok | FineArt | |
| dc.type.uppsok | H2 | |
| dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
| dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
| dc.type.degree | Student essay | |
![No Thumbnail [100%x80]](data:image/svg+xml;base64,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)