The Vibrato on the Oboe

dc.contributor.author	Calderón de Luis, Elena
dc.date.accessioned	2019-10-08T12:05:07Z
dc.date.available	2019-10-08T12:05:07Z
dc.date.issued	2019-10-08
dc.identifier.uri	http://hdl.handle.net/2077/62118
dc.description.abstract	In this research project I attempt to investigate the great trouble that involves the vibrato production on the oboe. It is often said that there are several ways to do it, but people will never agree about what is the most correct way. I also reflect on its use depending on the historical period, because a great controversy can be found on this issue. In this way, in addition to doing a research project, I will try to provide knowledge of its production, use and training in a correct way, because it seems an ability that not all the oboists can develop instinctively.	sv
dc.language.iso	eng	sv
dc.subject	vibrato	sv
dc.subject	historical period	sv
dc.subject	production	sv
dc.subject	use	sv
dc.subject	training	sv
dc.title	The Vibrato on the Oboe	sv
dc.type	Text
dc.setspec.uppsok	FineArt
dc.type.uppsok	H2
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.type.degree	Student essay