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dc.contributor.authorHelgotsson, Beatriz
dc.date.accessioned2019-12-16T14:32:10Z
dc.date.available2019-12-16T14:32:10Z
dc.date.issued2019-12-16
dc.identifier.urihttp://hdl.handle.net/2077/62843
dc.description.abstractThe aim of this study is to investigate the use of the African American English (AAVE) verb be in lyrics written and performed by four African American rappers, Kendrick Lamar, J. Cole, Gucci Mane and Future. This paper also demonstrates how the verb be in AAVE is used by these rappers to construct cultural identity. The method used is a qualitative analysis and partly a quantitative study of the empirical data. Every instance of the verb be was written down and counted in order to examine the lyrics and to explore how often and in what context it occurs in the selected material. The result of the study shows that the copula absence has the highest rate in frequency and occurrence within the selected rap lyrics, after which comes the invariant/habitual be followed by the so-called equative copula.sv
dc.language.isoengsv
dc.relation.ispartofseriesSPL kandidatuppsatser, engelskasv
dc.relation.ispartofseriesSPL 2019-061sv
dc.subjectengelskasv
dc.subjectAfrican American Vernacular Englishsv
dc.subjectgrammarsv
dc.subjectHip Hop Nation Languagesv
dc.subjectcultural identitysv
dc.subjectsociolinguisticssv
dc.titleThe Aspects of “Be” in selected rap and Hip Hop lyrics: A marker of cultural identity?sv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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