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dc.contributor.authorEderyd, Moa
dc.date.accessioned2020-02-19T11:53:53Z
dc.date.available2020-02-19T11:53:53Z
dc.date.issued2020-02-19
dc.identifier.urihttp://hdl.handle.net/2077/63403
dc.description.abstractIn this study, a narratological analysis has been conducted of the narrative distance in the novel Le Fabuleux et Triste Destin d’Ivan et Ivana (2017) by postcolonial author Maryse Condé. The recurrent structures found in the novel concerning narrative distance have been examined. An attempt has also been made to interpret the choice of distance from a postcolonial perspective; in particular, an aim has been to examine a hypothesis proposed by Cappella (2017), which concerns the possible link between the using of the free indirect discourse and the representation of “bad” characters. We are inclined to suggest that the free indirect discourse constitutes a key technique of this novel, as it is often used to represent the discourse of the “bad” character (Ivan). A variation of types of distance has however been observed in the novel analyzed, with the presence of certain cases of reported discourses that stand out in a narrative in which thoughts are in general prioritized. Additionally, the narrator appears to guide the reader by using the narratized discourse, as the intention of the work is not concealed.sv
dc.language.isofrasv
dc.relation.ispartofseriesSPL kandidatuppsatser, franskasv
dc.relation.ispartofseriesSPL 2019-074sv
dc.subjectfranskasv
dc.subjectMaryse Condésv
dc.subjectLe Fabuleux et Triste Destin d’Ivan et Ivanasv
dc.subjectnarratological analysissv
dc.titleLA NOMADE, LES ANGES ET LES DÉMONS. Une analyse de la distance narrative dans Le Fabuleux et Triste Destin d’Ivan et Ivana (2017) de Maryse Condésv
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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