Using Noise as a Compositional Tool with Different Perspectives

Erez, Merve

dc.contributor.author	Erez, Merve
dc.date.accessioned	2020-06-04T13:46:11Z
dc.date.available	2020-06-04T13:46:11Z
dc.date.issued	2020-06-04
dc.identifier.uri	http://hdl.handle.net/2077/64605
dc.description.abstract	This thesis shows my approach to musical composition in relation to the usage of noise as a tool with a narrowed-down perspective. In contemporary art music, our ears got accommodated to noise. Noise also is everywhere in daily life. It is daily life itself. But if we discuss the term either philosophically or scientifically, we can see that it is extremely complex. Because then, the definition we attribute to noise in daily life is beyond its dictionary definition. How can we use noise, that we are so familiar with, despite all the complexity it brings along, both in daily life, and from the audio world, as a compositional tool?	sv
dc.language.iso	eng	sv
dc.subject	noise	sv
dc.subject	everyday life	sv
dc.subject	composition	sv
dc.subject	extended techniques	sv
dc.subject	japanoise	sv
dc.subject	sound mimesis	sv
dc.subject	daily life	sv
dc.subject	futurism	sv
dc.title	Using Noise as a Compositional Tool with Different Perspectives	sv
dc.type	Text
dc.setspec.uppsok	FineArt
dc.type.uppsok	H2
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.type.degree	Student essay