“Sequenza I per flauto solo” Luciano Berio Differences between the proportional notation edition and the traditional rhythmic edition and its implications for the interpreter

Abstract

This master thesis presents a comparison between the two versions of the piece Sequenza I for solo flute, written by Luciano Berio. Finding two editions of a piece with so different approach regarding the notation is not so common and understanding the process behind their composition is really important for its interpretation. Because of that, this thesis begins with the composer’s framework as well as the evolution of the piece composition and continues with the differences between both scores. The comparison has been done from a theoretical perspective, with the scores for reference as well as from an interpretative point of view. Finally, the author explains her own decisions and conclusions regarding the interpretation of the piece, obtained from this investigation.