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dc.contributor.authorHendrix, Lies
dc.date.accessioned2020-07-06T13:01:39Z
dc.date.available2020-07-06T13:01:39Z
dc.date.issued2020-07-06
dc.identifier.urihttp://hdl.handle.net/2077/65513
dc.description.abstractIn this bachelor thesis, I explore the different ways of playing the melodeon: in a diatonic way, in a more chromatic way, and the whole spectrum in between. After comparing the styles of four different melodeon players, I place them on the spectrum and reach a conclusion as to what kind of melodeon player I want to be myself. Since I realize that I want to get better at the diatonic way of playing, I focus on that in my lessons with the French melodeon player Lucas Thébaut. After having learned a lot of tunes from him, I also want to challenge myself to use the diatonic mind-set in the rest of my music. In the practical part of this study, I relearn a melody in a diatonic way, make a diatonic-inspired accompaniment and write a tune in the diatonic way. The results show me not only that I can use the diatonic mind-set if I want, but also that I can enjoy it and be inspired by it.sv
dc.language.isoengsv
dc.subjectFolk musicsv
dc.subjectFrench folk musicsv
dc.subjectBelgian folk musicsv
dc.subjectmelodeonsv
dc.subjectbutton accordionsv
dc.subjectdiatonicsv
dc.titleFrom chromatic to diatonic – and back - Exploring the different ways of playing the melodeonsv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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