dc.contributor.author | Hendrix, Lies | |
dc.date.accessioned | 2020-07-06T13:01:39Z | |
dc.date.available | 2020-07-06T13:01:39Z | |
dc.date.issued | 2020-07-06 | |
dc.identifier.uri | http://hdl.handle.net/2077/65513 | |
dc.description.abstract | In this bachelor thesis, I explore the different ways of playing the melodeon: in a diatonic way, in a more chromatic way, and the whole spectrum in between. After comparing the styles of four different melodeon players, I place them on the spectrum and reach a conclusion as to what kind of melodeon player I want to be myself. Since I realize that I want to get better at the diatonic way of playing, I focus on that in my lessons with the French melodeon player Lucas Thébaut. After having learned a lot of tunes from him, I also want to challenge myself to use the diatonic mind-set in the rest of my music. In the practical part of this study, I relearn a melody in a diatonic way, make a diatonic-inspired accompaniment and write a tune in the diatonic way. The results show me not only that I can use the diatonic mind-set if I want, but also that I can enjoy it and be inspired by it. | sv |
dc.language.iso | eng | sv |
dc.subject | Folk music | sv |
dc.subject | French folk music | sv |
dc.subject | Belgian folk music | sv |
dc.subject | melodeon | sv |
dc.subject | button accordion | sv |
dc.subject | diatonic | sv |
dc.title | From chromatic to diatonic – and back - Exploring the different ways of playing the melodeon | sv |
dc.type | Text | |
dc.setspec.uppsok | FineArt | |
dc.type.uppsok | M2 | |
dc.contributor.department | University of Gothenburg/Academy of Music and Drama | eng |
dc.contributor.department | Göteborgs universitet/Högskolan för scen och musik | swe |
dc.type.degree | Student essay | |