In light of the general omission of subaltern questions, especially Dalits, in the literary and artistic representation of the Bengal Famine of 1943, my PhD in Artistic Research aims to further and experiment with epistemologies and ontologies of expressions that emerge from the space of subalternity, and investigate the possibilities and limits of it in film practices. In this performance-presentation I read a film script. The script functioned as a collage – a piecing together of fragments from elided narratives/archives, fieldwork notes, poetry, contemporary realities and future imaginaries. The script wished to blur theory and practice and to shift geographies of reason and being to a Fourth World.