Writing with Photography. Language performativity and photography's capacity for semiotics

dc.contributor.author	Torres Ràfols, Mercè
dc.date.accessioned	2021-06-30T08:52:35Z
dc.date.available	2021-06-30T08:52:35Z
dc.date.issued	2021-01-15
dc.identifier.uri	http://hdl.handle.net/2077/68905
dc.description.abstract	This essay started with the negative of writing a written essay. By so, I wanted to understand how photography operates as a language and what it means when one says "to read" a photograph. Can photography be the substitute for an essayistic idea? Is more than one image needed to develop and present a trustworthy idea? The reading of images and the reading of text share some qualities, they also share the same structural space: the essay, here, both will perform letting one influence the other.	sv
dc.language.iso	eng	sv
dc.subject	Writing	sv
dc.subject	Photography	sv
dc.subject	Semiotics	sv
dc.subject	Performativity	sv
dc.subject	Codes	sv
dc.subject	Structure	sv
dc.title	Writing with Photography. Language performativity and photography's capacity for semiotics	sv
dc.type	Text	sv
dc.type	Image	sv
dc.setspec.uppsok	FineArt
dc.type.uppsok	H2
dc.contributor.department	University of Gothenburg/HDK-Valand - Academy of Art and Design	eng
dc.contributor.department	Göteborgs universitet/HDK-Valand - Högskolan för konst och design	swe
dc.type.degree	Student essay