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Searching for possibilities - Exploring the potentials of my Qanun performance.

Abstract
Over the course of many years of playing the qanun; a trapezoidal middle eastern zither-like stringed instrument, I have noticed how often the instrument has been played within its modal traditional framework, leading me to a perception that the qanun and myself are prevented from discovering more techniques and new potentials. I, hence, have been attempting to explore the traditional manners of treating the instrument with regard to timbre, playing techniques, and different harmonic orientations - while trying to maintain its true qualities and not losing sight of its traditional soul. My aspiration, as well as my method, is to be open to what one can do with the instrument rather than to take a specific approach. The qanun had shown an untapped capacity for expanded techniques and a broader range of sounds that enrich and revitalize the instrument's sounds library. This research has enabled me to stretch my boundaries and explore unknown possibilities, which has helped in the expansion of my own self-expression as a composer. It has also paved the way for me to investigate further unexplored potentials of the instrument as this research emphasizes to show the qanun’s enormous capabilities that have yet to be realized.
Degree
Student essay
URI
http://hdl.handle.net/2077/69835
https://www.researchcatalogue.net/profile/show-exposition?exposition=1032668
Collections
  • Masteruppsatser/Högskolan för scen och musik
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Thesis (242.2Kb)
Date
2021-10-21
Author
Alsadi, Richard
Keywords
qanun
ancient instrument
traditional instrument
Middle Eastern music
world music
experimental
ambience
soundscape composition
maqam
noise music
self-discovery
extended techniques
improvisation
Language
eng
Metadata
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