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dc.contributor.authorSimarud Stabell, Jørgen
dc.date.accessioned2021-11-10T20:48:51Z
dc.date.available2021-11-10T20:48:51Z
dc.date.issued2021-11-10
dc.identifier.urihttp://hdl.handle.net/2077/69999
dc.identifier.urihttps://youtu.be/1S1FQz5U56A
dc.identifier.urihttps://youtu.be/I0mbEmqVVvA
dc.identifier.urihttps://youtu.be/LZIJ20upUcw
dc.identifier.urihttps://youtu.be/D_d7aaD_Itw
dc.description.abstractRandom practice is a method for practicing motoric skills that has shown to give much better results in terms of retention and transfer (how much of your practice that carries over to the next day), compared to “traditional” practice (blocked practice) and it is already seeing use in sports with great results. In this thesis I explore the possibilities on how to apply random practice concepts in my own, musical practice sessions, by creating three different practice-systems that follow random practice principles. This is followed by reflections on benefits and challenges these systems bring with them, as well as my own thought on what is required from the player to successfully gain the great benefits of random practice.sv
dc.language.isoengsv
dc.subjectrandom practicesv
dc.subjectpractice techniquesv
dc.subjectmotoric skillssv
dc.subjectcontextual interferencesv
dc.subjectretention of motoric skillssv
dc.subjecttransfer of motoric skillssv
dc.subjectefficient practicesv
dc.titleRandom practice as a tool for achieving excellence. Can organized chaos in the practice room lead to improved consistency and confidence in performances?sv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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