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dc.contributor.authorKassab, Yaser
dc.date.accessioned2022-11-07T12:28:05Z
dc.date.available2022-11-07T12:28:05Z
dc.date.issued2022-06-01
dc.identifier.urihttps://hdl.handle.net/2077/74081
dc.description.abstractMany groups and marginalized communities have been struggling for better representation in the media and film in different countries for many reasons. One of them is the direct effects of stereotypification on their lives. However, counter-image making has not received adequate attention, at least in adopting a decolonial approach to deconstruct the underlying structures behind stereotyping and otherness and its associations with different socio-political aspects. This paper is a reflective essay based on an inquiry-led project through cinema, in which I pose a question: what are the cinematic ways of producing counter images that aim to encourage rethinking the predominant (Mis)representation of the Swedish Arabs and other marginalized communities in the Swedish film and media.en_US
dc.language.isoengen_US
dc.subjectRepresentationen_US
dc.subjectOthernessen_US
dc.subjectEurocentrismen_US
dc.subjectStereotypificationen_US
dc.subjectArab portrayals in filmsen_US
dc.subjectPower structuresen_US
dc.subjectSymbolic violenceen_US
dc.titleStrategies of counter Image-Making of Arabs' portrayals in Swedish films through a Decolonial Approachen_US
dc.typeTexten_US
dc.typeImageen_US
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/HDK­-Valand - Academy of Art and Designeng
dc.contributor.departmentGöteborgs universitet/HDK-Valand - Högskolan för konst och designswe
dc.type.degreeStudent essay


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