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dc.contributor.authorMochales Rodríguez, Alonso
dc.date.accessioned2022-12-05T15:10:34Z
dc.date.available2022-12-05T15:10:34Z
dc.date.issued2022-12-05
dc.identifier.urihttps://hdl.handle.net/2077/74373
dc.description.abstractThis essay explores the uncanny as an overarching element of Rachel Cuk´s Outline trilogy. This is done within the theoretical framework of Freud´s uncanny, the architectural interpretations of the concept, as well as with the help of Lacan´s extimacy, a concept that will be defended as closely related to Freud´s. The results of this research suggest that the uncanny is present in the themes of the different stories of the novels, the literal and metaphorical dimension of architectural spaces, as well as in the narration. All these elements form an interconnected network of uncanny and extimate realities that allows the consideration of the novel as an architectural object and the questioning of the subject-object relationshipen_US
dc.language.isoengen_US
dc.relation.ispartofseriesSPL 2022-045en_US
dc.subjectRachel Cusk, Outline, uncanny, Freud, architecture, Jacques Lacan, Anthony Vidler, uncanny architecture, extimacyen_US
dc.titleAdrift in an Unfamiliar Place: Exploring the Architectural Uncanny in Rachel Cusk´s Outline Trilogyen_US
dc.typeText
dc.setspec.uppsokHumanitiesTheology
dc.type.uppsokM2
dc.contributor.departmentUniversity of Gothenburg/Department of Languages and Literatureseng
dc.contributor.departmentGöteborgs universitet/Institutionen för språk och litteraturerswe
dc.type.degreeStudent essay


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