Rörelse och rytm i Lage Lindells bildskapande - fallstudie av Umeåväggen

dc.contributor.author	Thornberg, Per
dc.contributor.department	University of Gothenburg/Department of Cultural Sciences	eng
dc.contributor.department	Göteborgs universitet/Institutionen för kulturvetenskaper	swe
dc.date.accessioned	2017-06-02T08:09:22Z
dc.date.available	2017-06-02T08:09:22Z
dc.date.issued	2017-06-02
dc.description.abstract	This thesis examines rhythm and movement in the visual art by Swedish artist Lage Lindell (1920-1980), in the form of a case study of his mural painting ”Umeåväggen” at the University of Umeå, 1972. The analysis are grounded in theories of performativity and reception aesthetics. The focus lies on the meeting between the artwork itself and its beholder. In what way has Lindell’s own experiences of drawing and graphics affected his paintings? Connections and degrees of convergence between Lindell’s art and jazz music and improvisation complement the examination.	sv
dc.identifier.uri	http://hdl.handle.net/2077/52451
dc.language.iso	swe	sv
dc.setspec.uppsok	HumanitiesTheology
dc.subject	public art	sv
dc.subject	rhythm	sv
dc.subject	movement	sv
dc.subject	improvisation	sv
dc.subject	performativity	sv
dc.title	Rörelse och rytm i Lage Lindells bildskapande - fallstudie av Umeåväggen	sv
dc.title.alternative	Movement and Rhythm in Lage Lindell’s Oeuvre – A Case Study of the Umeå Wall	sv
dc.type	Text
dc.type.degree	Student essay
dc.type.uppsok	H1

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