The pianistic spectrum

dc.contributor.author	Slott, Joel
dc.contributor.department	University of Gothenburg/Academy of Music and Drama	eng
dc.contributor.department	Göteborgs universitet/Högskolan för scen och musik	swe
dc.date.accessioned	2025-07-01T12:10:31Z
dc.date.available	2025-07-01T12:10:31Z
dc.date.issued	2025-07-01
dc.description.abstract	This independent project investigates the musical and technical effects of applying the orchestral dimensions necessary for the interpretation of symphonic or operatic orchestral reductions to the study and interpretation processes of solo piano music. l study the orchestral reduction of the first act from G. Puccini’s opera La Bohème as well as the second movement from L. van Beethoven’s piano sonata nr. 17, op.31 no.2 (Tempest sonata). During the study of these works I intend to apply a selection of orchestral aspects and mindsets from the study process of La Bohème to the study of the sonata movement.	sv
dc.identifier.uri	https://hdl.handle.net/2077/88527
dc.language.iso	eng	sv
dc.setspec.uppsok	FineArt
dc.title	The pianistic spectrum	sv
dc.title.alternative	Effects of applying mental approaches and musical dimensions from operatic or symphonic piano reductions to the interpretation of solistic piano music	sv
dc.type	Text
dc.type.degree	Student essay
dc.type.uppsok	M2