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  • Faculty of Fine, Applied and Performing Arts / Konstnärliga fakulteten
  • Academy of Music and Drama / Högskolan för scen och musik
  • Doctoral Theses / Doktorsavhandlingar Högskolan för scen och musik
  • Redigera dokument
  •   Startsida
  • Faculty of Fine, Applied and Performing Arts / Konstnärliga fakulteten
  • Academy of Music and Drama / Högskolan för scen och musik
  • Doctoral Theses / Doktorsavhandlingar Högskolan för scen och musik
  • Redigera dokument
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Musiklärares val av undervisningsinnehåll. En studie om musikundervisning i ensemble och gehörs- och musiklära inom gymnasieskolan

Sammanfattning
The way in which music teachers choose and use the subject content in ensemble and music theory in the upper secondary school is focused in this study. The point of interest is the everyday classroom teaching of music teachers. The intentions that music teachers have with their teaching is also studied. This thesis is a study of music teaching and is a subject-didactic investigation, inspired by variation theory. The overarching aim of the thesis is to study how music teachers in upper secondary school choose teaching content when teaching ensemble and music theory. The teachers’ use of the teaching content implies that they choose to focus and teach certain parts in their teaching. This choice of content and how it is used is in focus in this study. The research questions are: How do music teachers choose teaching content when teaching ensemble and music theory in upper secondary school? How do music teachers use the teaching content in their teaching? The data collection includes video-documented lessons and qualitative interviews with five music teachers in upper secondary school in 2004. The analysis reveals two different choices of content. When the teachers have music and theory as the content of their teaching, it is the content that guides the teaching methods, where the teacher uses a fixed content, which is then presented in different ways; this was mainly in music theory. When the content is music activities, the music teachers adjust the activity-based content in accordance with the level of the pupils’ skills in ensemble. The differences that occur in the variation theory results are closely related to the teaching content. The foundations of the two different choices of content that are made by the music teachers, as well as the significance of the learning objects, are finally discussed.
Examinationsnivå
Doctor of Philosophy
Universitet
Göteborgs universitet. Konstnärliga fakulteten
University of Gothenburg. Faculty of Fine, Applied and Performing Arts
Institution
Academy of Music and Drama ; Högskolan för scen och musik
Disputation
Fredag 20 mars 2009 kl 10.00 i A505, Högskolan för scen och musik, Artisten, Fågelsången 1, Göteborg
Datum för disputation
2009-03-20
URL:
http://hdl.handle.net/2077/19585
Samlingar
  • ArtMonitor/Konstnärliga fakulteten
  • Doctoral Theses / Doktorsavhandlingar Högskolan för scen och musik
  • Doctoral Theses from University of Gothenburg / Doktorsavhandlingar från Göteborgs universitet
  • Doctoral thesis/Doktorsavhandlingar/Konstnärliga fakulteten
Fil(er)
Thesis (1.473Mb)
Cover (1.825Mb)
Datum
2009-03-10
Författare
Zimmerman Nilsson, Marie-Helene
Nyckelord
music education
upper secondary school
music didactics
variation theory
music teaching
teaching ensemble
teaching music theory
choice of teaching content
learning object
Publikationstyp
Doctoral thesis
ISBN
978-91-977757-5-5
Serie/rapportnr.
ArtMonitor
10
Språk
swe
Metadata
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