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    • Vilka pukstockar ska en pukist välja att spela med i olika sammanhang? 

      Gustavsson, Sofia (2011-09-01)
    • Min musikaliska resa i Zarathustras religion 

      Alias, Saman (2011-09-21)
    • How to attract new audiences 

      Seyzeriat, Beatrice (2011-09-22)
      What can be done to attract new audiences to cultural institutions? This thesis explains how a cultural institution can take measures to increase audience numbers and attract new listeners. With Gothenburg Symphony Orchestra ...
    • On The Way Towards A Professional Orchestra 

      Monto, Vilma (2011-09-22)
    • Solo Flute Pieces Throughout The Twentieth Century 

      Toledo Domínguez, Laura (2011-09-22)
    • En kulturskola för några? 

      Fronczak, Magdalena (2011-09-22)
      Is culture accessible to all in Sweden or do challenges in accessibility begin in childhood? During the academic year of 2010/2011 the Schools for Music and Arts in Göteborg participated in a project entitled En kulturskola ...
    • Listen To Your Body And Improve Your Music 

      Belén Berenguer García, Ana (2011-09-22)
    • Dreams - A Journey through Bach’s Chaconne 

      Araújo Edlund, Margarida (2011-12-20)
      “Dreams” because I had the dream of being able to play Bach’s Chaconne. “Dreams” because through my interpretational work with the Chaconne, I entered spaces that I only can relate with dreams. “Dreams” because I experienced ...
    • Conflicts in contemporary music interpretation. Brunner-Lachenmann: a case approach 

      Galindo Agúndez, Antonio (2012-03-05)
      Classical musicians have made a habit of reproducing again and again works written between two hundred and one hundred years ago. We even insist on calling to works written fifty to seventy five years ago contemporary ...
    • Die Deutsche Konzertposaune. Utviklingen av tyske trombone fra 1800-1940. 

      Sandem Strømsnes, Jens Inge (2012-03-05)
      Having developed an awareness of regional differences within the trombone idiom during my studies, I became interested in exploring these, with a clear emphasis on that of the romantic German trombone which was developed ...
    • Composition Diary. Song Of Myself. 

      Vassilev, Nikolay (2012-03-05)
    • On ergonomics for the orchestral percussion instruments 

      García de León Fernández, Alberto (2012-04-30)
    • Konsert for fiolin og orkester, D-dur, op 35 av Pjotr Tsjaikovskij 

      Beier-Fangen, Alette (2012-04-30)
      Hvordan interpretasjonen av denne konserten har endret seg i løpet av de siste hundre år
    • Approaching Piazzolla's Music 

      Löfdahl, Marcus (2012-06-18)
      The aim of this degree project is to enhance the understanding of Astor Piazzolla’s musical style. As a method, a comparative approach and pastiche preparation is chosen. Form analyses are mainly the basis of a style study, ...
    • Finding Sound Using Alban Berg's Violin Concerto 

      Fitzgerald Cherry, Irene (2012-06-18)
    • Approaching Piazzolla's music 

      Löfdahl, Marcus (2012-08-22)
      The aim of this degree project is to enhance the understanding of Astor Piazzolla’s musical style. As a method, a comparative approach and pastiche preparation is chosen. Form analyses are mainly the basis of a style study, ...
    • Inre sökande 

      Kurda, Hardi (2012-09-19)
      This research explains and describes the role music notations may play in an unconventional way. The aim of this research is to show that by balancing composition, interpretation and improvisation, the performer(s) could ...
    • Det inre spelet 

      Eklund, Sofia (2012-10-22)
    • New Impro Ensemble Experience And Release Of The CD "HEM LJUS" 

      Bozzolan, Luigi (2012-11-15)
      The intention of this thesis is to analyze step by step entirely, the last part of the Master project, that represents my personal experience as organizer, composer, musician and conductor of the New Impro Ensemble, an ...
    • Cadenzas for 2 viola concertos 

      Högström, Henrik (2013-01-15)
      This work describes how I composed cadenzas for the viola concertos in D major by Carl Stamitz and Franz Anton Hoffmeister.

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