Masteruppsatser/Högskolan för scen och musik: Recent submissions

Visas titlar 141-160 av 165

    • Acquiring the skills to pay the bills 

      Kramer, Eliazer (2013-06-17)
      This documents my attempts to become a better sight-reader and a faster learner. I proceed by examining literature and interviewing professional musicians and I discover that score- reading, transposing, sight-reading with ...

    • Vogler och pergolesis stabat mater: En väg till historiskt informerad uppförandepraxis 

      Edlund, Andreas (2013-05-07)
      The author is active as a musician in the field of historically informed performance practice (HIP) which emanated from the 20th century early music movement. Studying of historical sources has a central role, but the ...

    • Aiming for orchestral career 

      Hirvonen, Iina (2013-05-06)
      This thesis describes how auditions to symphony orchestras are organized, based on the auditioning experiences of the writer and Richard Davis’s book Becoming an Orchestral Musician – A Guide for Aspiring Professionals. ...

    • Marcela Montgat och verkligheten 

      Gabriel, Rebecka (2013-04-12)
      Vad är det jag gör i mitt konstnärliga arbete? Och framför allt, vad är det jag möter i skapandet? Jag blir varse en stark länk mellan verklighet och konstverk till exempel när jag framför en påhittad berättelse på en scen ...

    • Slagverk och dans 

      Renman, Johan (2013-03-01)
      The purpose of this work is to explore the artistic processes of an ensemble where a musician and one or more dancers play together, either by improvising or by interpreting music that is written for the ensemble. The main ...

    • Cadenzas for 2 viola concertos 

      Högström, Henrik (2013-01-15)
      This work describes how I composed cadenzas for the viola concertos in D major by Carl Stamitz and Franz Anton Hoffmeister.

    • New Impro Ensemble Experience And Release Of The CD "HEM LJUS" 

      Bozzolan, Luigi (2012-11-15)
      The intention of this thesis is to analyze step by step entirely, the last part of the Master project, that represents my personal experience as organizer, composer, musician and conductor of the New Impro Ensemble, an ...

    • Det inre spelet 

      Eklund, Sofia (2012-10-22)

    • Inre sökande 

      Kurda, Hardi (2012-09-19)
      This research explains and describes the role music notations may play in an unconventional way. The aim of this research is to show that by balancing composition, interpretation and improvisation, the performer(s) could ...

    • Approaching Piazzolla's music 

      Löfdahl, Marcus (2012-08-22)
      The aim of this degree project is to enhance the understanding of Astor Piazzolla’s musical style. As a method, a comparative approach and pastiche preparation is chosen. Form analyses are mainly the basis of a style study, ...

    • Approaching Piazzolla's Music 

      Löfdahl, Marcus (2012-06-18)
      The aim of this degree project is to enhance the understanding of Astor Piazzolla’s musical style. As a method, a comparative approach and pastiche preparation is chosen. Form analyses are mainly the basis of a style study, ...

    • Finding Sound Using Alban Berg's Violin Concerto 

      Fitzgerald Cherry, Irene (2012-06-18)

    • On ergonomics for the orchestral percussion instruments 

      García de León Fernández, Alberto (2012-04-30)

    • Konsert for fiolin og orkester, D-dur, op 35 av Pjotr Tsjaikovskij 

      Beier-Fangen, Alette (2012-04-30)
      Hvordan interpretasjonen av denne konserten har endret seg i løpet av de siste hundre år

    • Composition Diary. Song Of Myself. 

      Vassilev, Nikolay (2012-03-05)

    • Die Deutsche Konzertposaune. Utviklingen av tyske trombone fra 1800-1940. 

      Sandem Strømsnes, Jens Inge (2012-03-05)
      Having developed an awareness of regional differences within the trombone idiom during my studies, I became interested in exploring these, with a clear emphasis on that of the romantic German trombone which was developed ...

    • Conflicts in contemporary music interpretation. Brunner-Lachenmann: a case approach 

      Galindo Agúndez, Antonio (2012-03-05)
      Classical musicians have made a habit of reproducing again and again works written between two hundred and one hundred years ago. We even insist on calling to works written fifty to seventy five years ago contemporary ...

    • Dreams - A Journey through Bach’s Chaconne 

      Araújo Edlund, Margarida (2011-12-20)
      “Dreams” because I had the dream of being able to play Bach’s Chaconne. “Dreams” because through my interpretational work with the Chaconne, I entered spaces that I only can relate with dreams. “Dreams” because I experienced ...

    • Listen To Your Body And Improve Your Music 

      Belén Berenguer García, Ana (2011-09-22)

    • On The Way Towards A Professional Orchestra 

      Monto, Vilma (2011-09-22)