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  • Faculty of Fine, Applied and Performing Arts / Konstnärliga fakulteten
  • HDK -Academy of Design and Crafts / HDK - Högskolan för design och konsthantverk (2012-2019)
  • Doctoral Theses / Doktorsavhandlingar Högskolan för design och konsthantverk (2012-2019)
  • Redigera dokument
  •   Startsida
  • Faculty of Fine, Applied and Performing Arts / Konstnärliga fakulteten
  • HDK -Academy of Design and Crafts / HDK - Högskolan för design och konsthantverk (2012-2019)
  • Doctoral Theses / Doktorsavhandlingar Högskolan för design och konsthantverk (2012-2019)
  • Redigera dokument
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Treåringar, kameror och förskola – en serie diffraktiva rörelser

Sammanfattning
The aim of this thesis is to examine what happens when three-year-olds are given access to digital cameras, and what shape and form children’s photographic capacity takes within the framework of everyday pre-school activities. The notion that young children in pre-school rarely get to use cameras themselves, and that they take part in photographs produced by pre-school educators as part of an ongoing documenting practice rooted in the curriculum is the point of departure. The study has been conducted through an ethnographic approach further strengthened by post-qualitative thinking, where the research material was produced together with children in two different pre-schools. This material includes the children’s intra-actions with the cameras as well as the photographs that emerge during the course of the study. The thesis moves within a posthumanist theoretical framework, with a special focus on new materialism and agential realism, where humans and non-humans are seen as mutual performative agents. The theoretical perspective permeates the entire study, and does not, therefore, only serve as a support for analyses. Through diffractive readings, the results show that children and cameras approach pre-school and its visual events in a manner that is not recognisable in previous experiences of how pre-school and the life of children have formerly been made visible. In this study, the children use the cameras to create resistances and to look back at the educators, as well as to show what relations come into being with materials, peers, places, spaces and knowledge formation. The children, together with the cameras, also make visible the power of the eye to direct and display, where the cameras also come to be an aesthetic tool with the capacity to both see and make visible in everyday life. This, in turn, also brings to light aspects of ethics and leads to the breaking up of more traditional and normative photographic actions and expressions.
Examinationsnivå
Doctor of Philosophy
Universitet
Göteborgs universitet. Konstnärliga fakulteten
University of Gothenburg. Faculty of Fine, Applied and Performing Arts
Institution
HDK - School of Design and Crafts ; HDK - Högskolan för design och konsthantverk
Disputation
Kl.13:00 i Aulan/Konstbiblioteket på HDK - Högskolan för design och konsthantverk, Kristinelundsgatan 6–8, Göteborg
Datum för disputation
2017-10-06
E-post
lena.magnusson@hdk.gu.se
lena.o.magnusson@hig.se
URL:
http://hdl.handle.net/2077/53380
Samlingar
  • Doctoral Theses / Doktorsavhandlingar Högskolan för design och konsthantverk (2012-2019)
  • Doctoral Theses from University of Gothenburg / Doktorsavhandlingar från Göteborgs universitet
  • Doctoral thesis/Doktorsavhandlingar/Konstnärliga fakulteten
Fil(er)
Thesis/avhandling (1.467Mb)
Spikblad (157.4Kb)
Datum
2017-09-12
Författare
Magnusson, Lena O
Nyckelord
digital camera
young children
pre-school
aesthetics
gaze
photography
ethics
agential realism
intra-action
diffraction
Publikationstyp
Doctoral thesis
ISBN
978-91-982423-9-3 (digital version)
978-91-982423-8-6 (tryckt version)
Serie/rapportnr.
ArtMonitor
64
Språk
swe
Metadata
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