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dc.contributor.authorJeppsson, Cecilia
dc.date.accessioned2020-03-03T12:42:16Z
dc.date.available2020-03-03T12:42:16Z
dc.date.issued2020-03-03
dc.identifier.isbnISBN: 978-91-7833-832-0 (printed version)
dc.identifier.isbnISBN: 978-91-7833-833-7 (digital version)
dc.identifier.urihttp://hdl.handle.net/2077/63291
dc.description.abstractOne point of departure of this study is the intensified national interest at the policy level in Swedish kulturskolor (Community Schools of Music and Arts) as an inclusive and accessible institution. Yet, the field can be described as torn between tradition and change. The field’s traditional features can be understood as associated with the music field’s institutional discourses. The aim of the study is to deepen our understanding of Swedish kulturskolor as a field in relation to the political mission to strive for widening participation. The theoretical perspective of Bourdieu is applied at an overarching level, supplemented with discourse theoretical perspectives. Discourses are understood as resources in actors’ positioning in the field. This mixed-methods study is based on a survey of 2413 sixth-graders, focus group conversations with 18 teachers, and interviews with five principals of seven kulturskolor. The results of article I identify the typical student as a Swedish-born girl with well-educated parents, in line with Bourdieu’s theory of cultural reproduction. It is suggested that a “kulturskola-appropriate habitus” contributes to children’s satisfaction in their studies. In article II–IV, teachers’ and principals’ strategies for widening participation incorporated various measures from inclusion in existing tradition to inclusion through a wide range of flexible and short-term courses. The strategies and positions are interpreted as orthodox versus heterodox strategies to legitimize the programmes. The theoretically informed conclusions describe the field as heteronomous and affected by media, politics, and economics – a phenomenon interpreted as comprising cross-field effects. Despite the field’s diminishing autonomy, teachers and principals are seen as powerful actors who are encouraged to take action in shaping conditions for participation in the kulturskolor of the future.sv
dc.language.isoswesv
dc.relation.ispartofseriesArtMonitorsv
dc.relation.ispartofseries78sv
dc.relation.haspartI Jeppsson, C., & Lindgren, M. (2018). Exploring equal opportunities: Children’s experiences of the Swedish Community School of Music and Arts. Research Studies in Music Education, 40(2), 191–210. doi: org/10.1177/1321103X18773153sv
dc.relation.haspartII Jeppsson, C. (2018). Kulturskolelärares legitimitetsarbete i mötet med ett politiskt ideal om socialt inkluderande musikundervisning. Finnish Journal of Music Education, 02(21), 38–53.sv
dc.relation.haspartIII Jeppsson, C. (in press). Music teachers’ perspective on their chances to disrupt cultural and social reproduction in the Swedish Community Schools of Music and Arts. I: F. Pio, A. Kallio, G. G. Johansen, & O. Zandén (Red.). Nordisk musikkpedagogiskk forskning. Årbok 20. Oslo: NMH-publikasjoner.sv
dc.relation.haspartIV Jeppsson, C. (in press). Chefers positioneringar i relation till breddat deltagande i kulturskolan. I: A. Rønningen, K. Boeskov, B. Christensen Scheel, & Y. Hofvander Trulsson (Red.), Kulturskolen som inkluderende kraft: Perspektiver fra forskning til forandring. Oslo: Cappelen Damm Akademisk/NOASP.sv
dc.subjectkulturskolasv
dc.subjectCommunity Schools of Music and Artssv
dc.subjectmusic educationsv
dc.subjectwidening participationsv
dc.subjectsocial inclusionsv
dc.subjectcultural reproductionsv
dc.subjectsocial stratificationsv
dc.subjectfield theorysv
dc.subjectBourdieusv
dc.subjectpositioningsv
dc.subjectinstitutional discoursessv
dc.subjectcross-field effectssv
dc.title"Rörlig och stabil, bred och spetsig”. Kulturell reproduktion och strategier för breddat deltagande i den svenska kulturskolansv
dc.title.alternative“Dynamic and stable, broad and deep”. Cultural reproduction and strategies for widening participation in the Swedish kulturskolorsv
dc.typeText
dc.type.svepDoctoral thesiseng
dc.gup.mailMockasin1@hotmail.comsv
dc.type.degreeDoctor of Philosophysv
dc.gup.adminLänkar till fulltext av artikel I och II finns redan registrerade i GUPEA. När det gäller artikel I är det en pre/postprint-version av artikeln och artikel II en länk till tidskriftens websida. Kan ni koppla samma länkar i avhandlingsposten här? Artkel III och IV är "in press" så när det gäller dem vill jag gå in senare och lägga till länkar.sv
dc.gup.originGöteborgs universitet. Konstnärliga fakultetenswe
dc.gup.originUniversity of Gothenburg. Faculty of Fine, Applied and Performing Artseng
dc.gup.departmentAcademy of Music and Drama ; Högskolan för scen och musiksv
dc.gup.defenceplaceFredagen den 3 april 2020 kl. 13:30 Lingsalen, Högskolan för scen och musik, Artisten, Fågelsången 1, Göteborg. Disputationen sker vi länk https://gu-se.zoom.us/j/363831687sv
dc.gup.defencedate2020-04-03


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