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dc.contributor.authorAsklöf Prescott, Moa Julia
dc.date.accessioned2020-06-02T12:27:51Z
dc.date.available2020-06-02T12:27:51Z
dc.date.issued2020-06-02
dc.identifier.urihttp://hdl.handle.net/2077/64593
dc.description.abstractThis is a reflection and exploration of creation as a contemporary circus artist today, from the point of view of the same (I am a rope walker). To give myself a compass during the research I have worked with a few questions: What is the function of the trick? How do I and other artist relate to our creating selves and bodies? And how can we use knowledge from other fields such as marketing- and social psychology or service side jobs, to look at our creation from another angle? These questions are explored through looking into marketing- and social psychology, the words of other creators, doing interviews and looking at the way I interact with the practice myself. What my itch is. How working with the body can change the organism.sv
dc.language.isoengsv
dc.subjectContemporary circussv
dc.subjectsocial psychologysv
dc.subjectphysical theatresv
dc.subjectslack ropesv
dc.subjectstreet showssv
dc.subjectstage artsv
dc.subjectaudience interactionsv
dc.subjectperformancesv
dc.titleAbout tricks, sensations and relationships- A collection of thoughts on performing, exhibiting skill and creating in contemporary circus.sv
dc.typeText
dc.setspec.uppsokFineArt
dc.type.uppsokH2
dc.contributor.departmentUniversity of Gothenburg/Academy of Music and Dramaeng
dc.contributor.departmentGöteborgs universitet/Högskolan för scen och musikswe
dc.type.degreeStudent essay


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